Reading
Platonov makes the soul particularize, like a clump of wet sand sifting
out in the palm. In his short works one finds a disjunction between
the individual and the universal so vertiginous, the grade of disparity is almost comic. But in the space where
humor might be is instead desolation -- the desolation of a failed identification with history. The
universal is in sight and graspable only as a set of dead instruments,
chitinous phrases left to stand in lifelike poses. A character notes the impossibility of wholeness with the homely bafflement of a figure on a platform, the last train of the evening lumbering out of view. What's left is soul: not a ruin, but an absolute belief enduring absolute absence.
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